The study of the language of colour has generated great attention since the 19th century in several fields, especially philology and art; exploring the great civilizations considered the bedrock of Europe: Greece and Rome. Surprisingly the Bible, the other pillar on which European culture is founded, has been left on the sidelines of this research, creating a primordial void.
This research project aims to bridge this gap and provide a more complete picture of the language of colour in a book that has inspired both literary and artistic works: the Bible. An interdisciplinary study of the biblical text in its original languages can certainly shed new light on the interpretation of the image and vice versa.
The objectives pursued in the field of philology are to determine the chromatic lexicon of the biblical text, the sensory perception it reflects and the symbolic dimension from which it emanates. In this sense, we believe that the Apocryphal literature and the early Christian literature can shed light on the meaning of colour in the biblical texts both with regard to sensorial perception and symbolism.
Concerning the field of artistic representations which have been inspired by the Bible, the objective of the research is to study how the artist uses chromatic language to reflect the biblical scenes, as well as analysing how the biblical language is used and reinterpreted. The period chosen to be studied is that covering the 10th-12th centuries.
Colour, Bible, Symbol, Medieval Minitures, Medieval Bibles